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4 Wins for The Animation School At The Loeries

Written by The Animation School Content Team | Nov 12, 2026, 9:52:29 AM
4

Wins for The Animation School

Student film awards at the Loeries 2026

The Animation School secured 4 Loeries in the student film category at the 2026 Loeries, Africa and the Middle East's definitive benchmark for creative excellence, taking home two Golds, two Bronzes, and a finalist placement. All four winning films were produced as capstone projects within the Diploma in Digital Animation, demonstrating that a structured, studio-level pipeline produces work that competes at the highest regional level.

A standing ovation for our Loeries winners!

At Loeries Creative Week 2026, The Animation School continued its exceptional track record of creative excellence, collecting four awards across the Student Film category. Two films claimed Gold, two claimed Bronze, and a fifth earned a finalist placement, confirming that the school's structured production pipeline consistently produces work that meets the Loeries judging panel's standard for creative and technical excellence. These results place The Animation School among the most decorated student institutions at the 2026 Loeries, alongside professional agencies competing in the broader awards programme.

The four films recognised in 2026 were:

THE LEGEND OF
THE JACK O’LANTERN

GOLD

Praised for its visual development, character performance, and atmospheric lighting

JUST LIKE
CLOCKWORK

GOLD

Recognised for its mechanical timing, precise character animation, and production design

LAIKA GOES
HOME

BRONZE

Commended for its emotional storytelling and considered pacing

UNDETURD

BRONZE

Noted for its sharp humour and confident comedic timing

Watch all four award-winning shorts on The Animation School's official YouTube channel to see the full scope of craft on display.

The Animation School extends its heartfelt congratulations to the talented students whose hard work and creativity made this achievement possible.

GOLD

THE LEGEND OF
THE JACK O’LANTERN

  • Dan Sandoval
  • Joshua Hinrichsen
  • Jayden Thomas
  • Saskia Truter
  • Alexandra Van Loggerenberg
  • Kirsten Baatjies
  • Jordan Ovens
  • Jaydon Van Schalkwyk
  • Ethan Hein Laubscher
  • Aidan Pansegrouw
GOLD

JUST LIKE
CLOCKWORK

  • Saeedah Sayed
  • Caylee Vermeulen
  • Megan Grobler
  • Dylan Harris
  • Tyra Windell
  • Kian De Almeida
  • Aidan Barron
  • Tristan Brazer
BRONZE

LAIKA
GOES HOME

  • Can Richards
  • Jayme Wakeford
  • Sanaa Ally
  • Alexa Wium
  • Josh Borton
  • Chloe van Wyk
  • Ryan Maggott
  • Lexi Martin
  • Sinalo Nyikana
  • Reuben Semple
BRONZE

UNDETURD

  • Tayla Coetzee
  • Gen Schwulst
  • Nqobile Mazibuko
  • Rampou Kotsokoane
  • Alesandra Clarke
  • Owen Moodley
  • Ronewa Maphala
  • Oratiloe Mokoena
  • Tshepang Tlhako

The diploma pipeline behind the winning films

Every film listed above is a direct product of the third-year capstone project within the Diploma in Digital Animation. Rather than treating the final year as an open brief, The Animation School runs it as a structured, studio-simulated production pipeline that mirrors how professional animation studios operate. Students move through three clearly defined phases, each with deliverables, feedback cycles, and quality gates.

THE THREE PIPELINE PHASES ARE:

1. Pre-production – Students develop the concept, write the script, build storyboards, design characters and environments, and produce an animatic. This phase establishes the visual language and narrative logic of the film before a single frame is animated.

2. Production – Teams model, rig, texture, light, and animate their scenes using industry-standard software. Roles are assigned to reflect a real studio hierarchy, so students graduate with experience in a specific discipline rather than a general awareness of all of them.

3. Post-production – Compositing, sound design, colour grading, and final rendering bring the film to a deliverable standard. Students learn to evaluate their own work against broadcast and festival benchmarks. This pipeline is why films like Just Like Clockwork can achieve the mechanical timing precision that earned it a Gold, and why The Legend of the Jack O'Lantern demonstrates the kind of cohesive visual development that judges at the Loeries expect from professional entries.

If you are curious about how this training is structured before committing to a full programme, Animation Short Courses offer a focused introduction to specific disciplines within the pipeline. demonstrates the kind of cohesive visual development that judges at the Loeries expect from professional entries.

If you are curious about how this training is structured before committing to a full programme, Animation Short Courses offer a focused introduction to specific disciplines within the pipeline.

What Loeries judges look for in student entries

Student entries are assessed by the same panel of industry-leading judges who evaluate professional work, but the judging lens accounts for the production context of a student film. Judges weigh creative ambition, originality of concept, and the quality of craft execution relative to the resources available to a student team. A technically polished film with a weak concept will not score as highly as a film that demonstrates a clear creative point of view supported by competent execution.

Why a Loeries win matters for an animation career

Being shortlisted or awarded at the Loeries as a student carries real weight in the South African and broader African creative industry. Recruiters at animation studios, post-production houses, and advertising agencies recognise the Loeries as a credible quality signal, and a Gold or Bronze on a graduate's showreel immediately distinguishes their application from the field. The Loeries also connects student winners to a professional network through Loeries Creative Week, where industry mentors, studio leads, and agency creative directors attend the same events.

For students considering whether a structured, accredited programme is worth the investment, the 2026 results offer a concrete answer. The Animation School has accumulated more than 200 awards over 26 years, and the Loeries wins sit within a broader pattern of student work being recognised at regional and international festivals. That track record is a meaningful indicator of what a well-designed curriculum, combined with genuine creative ambition, can produce.

How to prepare your own Loeries entry

If you are currently enrolled in an animation programme and want to submit work to the Loeries, preparation should begin well before the entry deadline. For future cycles, plan your production timeline so that your film reaches a deliverable standard at least six weeks before the submission date, leaving time for final rendering, sound mix, and technical compliance checks.

KEY STEPS FOR A COMPETITIVE STUDENT ENTRY:

  1. Confirm your institution's eligibility and register as a student entrant on loeries.com before the deadline.
  2. Identify the correct sub-category for your film; entering the wrong category is a common and avoidable error.
  3. Review the Loeries craft criteria for your specific discipline, particularly if you are entering as a background artist or rigger rather than as part of a directing team.
  4. Prepare a production brief that clearly articulates your creative concept, as judges read supporting materials alongside the film itself.
  5. Submit at the highest possible technical specification; compression artefacts and audio sync issues are noted in judging.

Attend an Animation School Open Day in Cape Town, Johannesburg, or online to explore how the Diploma in Digital Animation structures its capstone project and prepares students to meet exactly this kind of industry benchmark.

Frequently asked questions

Q1: Who is eligible to enter the Loeries 2026 Student Film category?

Any student enrolled at a recognised educational institution in Africa or the Middle East during the eligibility period of 01/07/2025 to 30/06/2026 may enter the Loeries Student Film category, provided the submitted work was produced within that window as part of their studies. Eligibility is tied to institutional enrolment rather than nationality, which means students studying at South African institutions through online programmes may also qualify.

Q2: What is the entry deadline for the Loeries 2027 student awards?

For students planning future entries, the Loeries typically opens its entry portal several months before the May deadline, giving teams time to register, select the correct sub-category, and prepare supporting materials. Missing the deadline means waiting a full year for the next cycle, so production timelines should be built backwards from the submission date.

Q3: Can a background artist or rigger enter the Loeries independently, rather than as part of a directing team?

Yes, individual craft contributors, including background artists, riggers, compositors, and production designers, can enter their specific work through the Film Crafts (Student) sub-category at the Loeries, rather than entering as part of the film's directing or producing team. This structure is significant for students who specialise in a single discipline during their studies.

Q4: How does winning or being shortlisted at the Loeries affect a graduate's animation career prospects?

A Loeries award or shortlist placement is one of the most credible creative credentials a South African animation graduate can hold, and it is widely recognised by studios, post-production houses, and advertising agencies across the region as a reliable quality signal. In practical terms, a Gold or Bronze Loerie on a showreel immediately separates a graduate's application from the majority of candidates who have no regional award recognition.

Q5: How does the Diploma in Digital Animation at The Animation School prepare students to compete at the Loeries level?

The Diploma in Digital Animation is a three-year, NQF Level 6 accredited programme that culminates in a studio-simulated capstone project, where students produce a complete animated short film through a structured pre-production, production, and post-production pipeline that mirrors professional studio practice. Students are assigned to specific roles within the production team rather than rotating through all disciplines, which means they graduate with deep, role-specific experience rather than a surface-level awareness of the full pipeline.